I swear to God, Blogspot ate my entry here. I had it all set up, and was just updating the linklist when my finger slipped in the exact wrong fashion. It broke me inside. A lot of great people put hard work into this event, but aspects of it just fell to pieces, and that's my fault.
Anyway, there was some great material developed for this particular story with Lissbirds, and I plan to rework it into a small event in the near future. Sorry for screwing things up here. Carry on.
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when is evil cool?
Sunday, January 31, 2010
Saturday, January 30, 2010
"Whatever Happened To... The Crimson Avenger?" (10/1981)
Admitted to City Community Hospital, Lee Travis had a new, inoperable, incurable condition. He also had an estimated week to live, and as a man of action, Travis just didn't think it was fair that he should pass with a whimper. First, as the Daily Globe-Leader's crusading young publisher, then as "the midnight manstalker called the Crimson Avenger," Travis relentlessly pursued justice in the 1930s & 40s. However, Travis vanished for decades, lost in time alongside his fellow members of The Seven Soldiers of Victory. Though still a fit man of reasonable age after being brought to the present day with the help of the Justice League of America, culture shock and the power levels of that caliber of super-hero sent the merely human Crimson Avenger into retirement.
Using wealth from his newspaper, Travis became a world traveler, until he was diagnosed as terminal while in Kuala Lumpur, Malaysia. Now, it isn't the dying, but the injustice of dying meekly that irked him. Good thing Travis spied that tanker ship blinking "SOS" in code with its lights from his hospital room window. Suiting up one final time as the Crimson Avenger, Travis dove out his window, making his way via flagpoles and such.
On the south side of town, a muy caliente mami complained about the price of food in her apartment, as her niño toddler Umberto slipped and fell over the ledge. Her "single soul-chilling scream" was stifled by the Crimson Avenger's catching the kid in mid-death plunge. "Gracias dios, señor!" This hero would be in her grateful prayers that night as he swung away, explaining that before she was born, he was "el Vengadore Rojo."
Hopping an unauthorized ride on a commuter shuttle-copter's landing gear, the Crimson Avenger finally reached the tanker. Well-armed mercenaries had taken the vessel for its experimental, unstable, highly volatile chemical cargo. Though machine guns blazed, they fared poorly at finding a target through the red fog bombs dropped by our hero. A grenade was far more effective, as it set off a chain reaction with the chemicals, deemed so dangerous they had been scheduled for a mid-Atlantic deep-sixing. Learning that the whole shebang was about to take out the city like a hydrogen bomb, the Crimson Avenger had the crew and crooks hauled into lifeboats. Then, he navigated the tanker as far from the city as possible.
Reaching a safe distance, Lee Travis began to smile. He knew he'd saved the city, even as he'd doomed himself. "At least this way my death counts for something... at least this way the Crimson Avenger will be remembered! I'm just happy I got one last chance to wear this good old uniform... For the first time in years I feel truly alive--!"
Bang.
Police pulled the survivors from the water at the docks. The captain wanted all the credit to go to their savior, except "the smoke was too thick to see him clearly... and he never mentioned his name!"
The legend of the Crimson Avenger seemed as dead as the namesake, but then again, there's that senorita to remember. "When you are old enough, Umberto, I will tell you how a brave man saved your life today... and then someday you will tell your children so they can tell their children! We must never forget el Vengadore Rojo... the Crimson Avenger!"
This back-up story from DC Comics Presents #38 was crafted by Len Wein, Alex Saviuk & Dennis Jensen.
Tuesday, January 19, 2010
Try to contact Captain Comet with the Venusian device
The year is 1960, and Captain Comet flies his Cometeer rocket ship through the blackest reaches of space. The Man of Destiny hasn't been back to his home world of Earth in years, as he sojourns to find new life, and perhaps, his true place in the universe.
Suddenly, a message came over the communications relay. It was from J'onn J'onzz, a Martian turned defender of Earth, yet strangely, the message was in Venusian. The potent mind of Captain Comet is of course fluent in Venusian, and he acts without delay to comply with J'onzz's request.
Oh, I suppose you don't speak Venusian yourself? Luckily, we have a copy of Mr. Mind's Venusian Decoder Card handy to help you out. Decipher the message, and follow its directions!
Monday, January 18, 2010
Strange Adventures #17: "Beware the Synthetic Men!" (February 1952)
In Washington, D.C., a suspicious vagrant was brought to a police station. He'd been caught outside the Acme Chemical Plant, and when questioned, he wriggled free and escaped. The police were astonished by his green skin and bulletproof skin. Soon, it was all over the papers, with reporters wondering if these were perhaps aliens from Mars. To calm public anxiety, the nation's science-defense chief Dr. Stanton appeared on television to dispel the myth of the green men.
Renowned physicist Professor Zackro and his guest Captain Comet (sitting in full costume) watched the broadcast, and the Man of Destiny detected Stanton was concealing something. "His thought waves-- which are electrical in nature-- are being broadcast simultaneously with his words! If I can tune into them, I'll soon learn if my suspicions are correct!" Employing all of his telepathic power to pick up the mental signal, Comet exclaimed "great galaxy" upon learning the truth about the green men.
A year early, Dr. Stanton had convinced the Army Chief of Staff General Dalton to fund development of synthetic men from his invention neoplasm, "a chemical that lives and moves." A month late, from his bricks of green tofu, Stanton created his first synthetic man, possessed of all senses and the name Alpha. Five men total were animated, and named from the Greek alphabet. They were immune to poison, acids-- and strong enough to bend iron bars, allowing their escape. Captain Comet would have to join the top secret manhunt! Dismissing research, the Man of Destiny knew from memory the only locations in the United States where calcium nitrate, the Synthetic Men's food supply, could be found.
The Cometeer rocket made its way to the town of Calnit, near Great Salt Lake. Meanwhile, the deathless Synthetic Men had cut off all communications out of the town and herded its citizens into a warehouse. The Cometeer landed, and the townsfolk declared, "Captain Comet! He'll save us!" A green man fired a pistol at the Man of Destiny, whose unique mind-over-matter ability halted the bullet's flight. "He must be a superhuman!"
"In turn, Captain Comet sends a super-energetic wave of mental force at the green men," but their synthetic bodies were immune to his telekinesis. Although Comet's strength was greater than the synthetics', he allowed himself to be captured in order to gather more information.
That night, the Man of the Future watched as the Synthetic Men began to replicate the process by which Dr. Stanton had create them. Captain Comet could read their minds, and learned they planned to produce an army of synthetics to overtake the planet. While all five green men were isolated in one room, the Man of Destiny sealed off the door with his telekinesis. Captain Comet then ordered the townspeople to push whatever objects they could find against the door. "Hustle, everybody-- do what Captain Comet says!"
Dashing to his Cometeer, the Man of the Future returned with an emergency oxygen cylinder. Releasing its contents through a crack above the door of the tiny supply room, Comet soon found the Synthetic Men immobilized. Though still "alive" the green men were now rigid as stone. Captain Comet had deduced from their food source that the Synthetic Men breathed the nitrogen in the air, rather than oxygen. "Just as humans would perish in air of pure nitrogen-- so the Synthetics couldn't survive in pure oxygen! It combined with the calcium in their bodies to form calcium carbonate-- which is the formula for marble!"
The Synthetic Men were left in the town square as a monument, with the sign, "The five living statures placed here in honor of Captain Comet who conquered them-- and a warning to any others who plan a war against humanity!"
"Beware the Synthetic Men!" by John Broome (writing as Edgar Ray Merritt,) Murphy Anderson & Joe Giella.
Saturday, January 16, 2010
The Captain Comet Bantam-Blog
If Superman had been created in the 1950s instead of the 30s, he might have ended up a lot like Captain Comet. Adam Blake agonized over why he never quite felt like he fit in with the human race, displaying mental and physical powers far beyond those of ordinary men. Seeking the help of physicist Emery Zackro led to a series of tests and the hypothesis that Blake was a mutant fluke. "You've heard, I'm sure, of human throwbacks-- men born today with the minds and bodies of the cavemen of 100,000 years ago! Well, think of the opposite of that... Scientifically, there's no reason why the opposite-- an accidental specimen of future man-- should not happen!" Aware of the dangers should Blake's abilities become public knowledge, the pair decided to keep them a secret. Still, Blake would act to benefit mankind under the guise of Captain Comet, naming himself for the mysterious celestial visitor that appeared in the sky the night of his birth.
From the June 1951 cover-dated Strange Adventures #9 until October 1954's 49th issue, Captain Comet starred (usually on the cover) in stories where he protected the Earth from one science fiction menace after another. Created after the super-hero fad that died in the late 40s and before its revival in the mid-50s, Captain Comet was a curious hybrid whose modest success turned into over twenty years out of the public eye, save for odd reprints. Blake finally returned in 1976's Secret Society of Super-Villains #2, as an ongoing foil. Having left Earth to explore space and "find himself" in his Cometeer spaceship, Blake returned to a very different time, adding a further layer to his disconnection to his own people. Aside from guest appearances, Captain Comet sat out another decade-and-a-half before becoming a member of L.E.G.I.O.N., an interstellar security outfit. Once again, once that book went the way of the dodo, Captain Comet vanished until the mid-aughts. Today, Comet has become one of DC's more visible sci-fi heroes, through a series of mini-series grouping him with more same. Having been murdered and moving his consciousness into a new body, Blake isn't as powerful as he used to be, trading out for a more youthful form.
While not the most exceptionally written character, Captain Comet fascinates me as a creation fluttering around the edges of the mainstream, a man out of sync with his proper space and time. Where Captain America clearly longs for the years he lost after World War II, he happily embraced a new life in the modern era. Captain Comet from birth was surrounded by upright monkeys evolutionarily beneath himself, sought understanding in the stars, but has yet to find a permanent place anywhere. Returning to an America left in the McCarthy era and found in the "Me Generation," Blake seemed to take our radical social upheaval in stride, a trifling thing by his standards. In an era largely without super-heroes, Captain Comet was one of the few we had, and carries with him a unique historical relevance and perspective. He remains bursting with untapped potential and deserving of more attention, if only from a Bantam-Blog...
Information
1985 Who's Who Vol.IV: Captain Comet (6/85)
1991 Who's Who in the DC Universe Update #8 Captain Comet Profile
Stories
Strange Adventures #9: "The Origin of Captain Comet!" (June 1951)
Strange Adventures #10: "The Air Bandits From Space!" (July 1951)
Strange Adventures #17: "Beware the Synthetic Men!" (February 1952)
Secret Origins Annual #1: "The Secret Origin of Captain Comet" (1987)
DC Challenge #5 (2/1986)
DC Challenge #6 (April, 1986)
Editorial
Secret Origins Annual #1: "The Secret Origin of Captain Comet" (1987)
The Comic Book Heroes: The Return of the Heroes
Art
Captain Comet Postcard by George Pérez
1990 Steve Lightle Captain Comet Sketch
Fan Fiction/Internet Adventures
John Jones in "Last Stand of the Lizard-Men"
Tuesday, January 12, 2010
Diabolu Frank Challenges All DC Bloggers!
Tonight I'll be taking a break from my regular blogging to offer up a proposal. If you or someone you know runs a blog featuring DC Comics inclusive comic book related content, I'd like to extend an invitation to take part in a relatively large scale crossover. Here's an edited version of my original pitch, first sent out to folks the week before Thanksgiving...
Greetings fellow blogger! I'm Frank Diabolu, and you may know me from such information superhighway personal interweb electronic log journals as Justice League Detroit: The Blog, ...nurgh..., and The Idol-Head of Diabolu, a blog for J'Onn J'Onzz, the Manhunter from Mars! What you may not know is that you and I are not the only isolated, obsessive-compulsive comic book enthusiasts with virtual presences, but merely part of a sort of virtual community of same. In fact, emulating actual comic book universes, some such bloggers occasionally have themed "events," a perfect opportunity to exploit the desire for still-mostly-introverted camaraderie and hijack the readership of others. I can speak to its virtues through my personal experiences withcanny promotionsenriching experiences like Crisis on Earth-Blog and Crisis On Earth-Blog: Super Powers Collection 25th Anniversary! It's splendtafulous!
Alright, enough with the Troy McClure shtick. I personally haven't run one of these shindigs before, but I thought it might be nice to give it a try. Most people receiving this email have already participated, and have at least one DC-centric blog. I'm going to try to expand our circle some more though, and there are enough characters to go around that non-specific blogs can "adopt" to join in. There will also be different MPAA-style "rated" blogs (my Idol-Head is pretty PG, while ...nurgh... is a soft "R,") but I can work to make sure all-ages blogs aren't contaminated with more mature links. My take is to be a bit more interactive by running a "scavenger hunt" where readers can bounce from blog to blog, advancing by answering trivia questions or solving other puzzles, usually related to the DC Comics character your blog would represent. Right answers would bring readers closer to "lush scans from two obscure pin-ups featuring every major character involved in this event," hosted by a site I don't run TBA. For the longest time, I considered giving away stuff, like a complete set of the DC Challenge mini-series, but realized too much trouble and personal information trafficking would be involved. Instead, we'll keep it neat, fun, and coast on the high end of our average daily hit counts.
I'll be happy to provide all the necessary art, text and html, making this a free "day off" for the daily blogger. Folks can contribute as much as they'd like, though, preferably at least the questions and correct answers, and as difficult as you want.
I ask that everyone try to post around the same time, but there should be enough participants that the only problem would be if the "winner" site failed to publish. As I said, everyone will receive a 400 pixel wide detail from the piece, and everyone would be free to post the full image (which I'll host on Photobucket) on their blog after observing a respectable waiting period for the sake of the "winning" blog.
Anyway, thanks for reading this far, and I hope you consider joining in.
I didn't appreciate how complex my own premise was, so the initial early December date slipped, then mid-month, and I finally decided to declare a hiatus for the holidays. I've begun contacting the authors of the sixteen or so blogs that confirmed they'd like to participate this week. However, some are easier to reach and more enthusiastic than others, and since I doubt I'll ever run such a crossover again, I'd like this to be as convoluted and insane as possible. That's why I'm flinging the doors open with an open call to whoever has an interest in joining the fun.
Here's more details I sent out to those blogs...
I don't want to suffocate anyone here with a specific structure. We all have our own styles, and I want everyone to have the opportunity to do their own thing. To that end, if you would prefer to use anagrams, crossword puzzles, Java-enabled hangman, madlibs, dirty limericks-- whatever challenge you want to present to your readers, so long as you do your own work and link out to everyone else, is alright with me. In fact, if challenges aren't your style, and you just want to ramble about how you hate every character in this event, roll how you want. Take the picture I give you, post the links, and make the rest your own.
Interested parties are urged to contact me directly at email_of_diabolu@yahoo.com . The event is scheduled for February 1, 2010, and is enough of a pain that I actually built a new blog just to offer participants a tutorial/FAQ to help them along. Consider that fair warning of what you'd be getting into. Also, most of the better DC Universe characters are already taken, so you'd better have sincere love in your heart for C and D-listers...
Monday, January 11, 2010
Secret Origins Annual #1: "The Secret Origin of Captain Comet" (1987)
Cover detail by John Byrne

Golden Age comics weren't nearly as sanitary as most folks seem to think, but writer/historians like Roy Thomas managed to regurgitate their tales through the filter of bland Silver Age Comics Code Approved drivel throughout the 70s and 80s, spoiling these greats for a generation or two.
While DC celebrated its 50th anniversary with character deaths and revision/deconstruction, sometimes documented in the front of Secret Origins, the back was devoted to dry recitation of yellowed tales about characters dismissed as too inherently dated to rate an update. Instead of the most dynamic and lush artists of the Golden Age drawing these heroes, Secret Origins had bottom feeders whose clinical, impersonal styles had fallen out of favor at DC after twenty years as an anchor around the company's neck.
For instance, there's Captain Comet, appearing in a tale by Thomas and Ron Harris with poorly meshing inks by the usually swell Bruce D. Patterson. Following a revised Doom Patrol origin by Paul Kupperberg and John Byrne in his prime, Comet couldn't have been more offputting and pedestrian.
The retelling opens in 1951, with a grim, more detailed description of the onslaught of the giant tops that were originally set-up at the end of Strange Adventures #9: "The Origin of Captain Comet!" (June 1951). Captain Comet then makes a more visually dramatic debut, crashing through a police barricade at super speed. At a sprawling Midwestern university, Professor Emery Zackro heard the news on the radio, and launched into a fairly faithful flashback to Comet's first story (which was told in chronological order.) Now, the first version was drawn by Carmine Infantino, and though not as expressive as he would be in later years on The Flash or Adam Strange in Mystery In Space, was still a beaut'. Harris' take could only have been more bland if he didn't have Patterson's embellishment, and his mustache on Zackro is so long and straight it breaks panel borders. Running the same number of pages as Comet's two-part debut, this version still seems drawn out and slow moving. There's greater detail being imparted, but it proves unnecessary baggage. Also, the gangster's bullet bounces off Adam Blake's brow instead of his chest, all the better to fit it in long, skinny panels. Though quite faithful to the original's plot, the storytelling here lacks the bounce.
Another important distinction is that the seeming subtext of Broome's seminal story is dialed down to a barely audible hum. Look at Broome's opening captions and Blake's emotionally troubled reaction to his mutation separating him from all of humanity. However evolved Blake may be, he's clearly lost something essential to modern man that plagues him. Whether he was gay, had a micropenis or hid a skirt under his spacesuit is unknown to me, but at least by 1951 standards, there has got to be something "wrong" with Blake for him to whine at a Stan Lee reading level. I lean toward closeted homosexuality, myself. For instance, Blake saves a hot blond from a dangerous fall with his telekinesis, and then proceeds to not score with the chick, who never appeared again. What red-blooded hetro would allow such a bird to escape? But no, Blake runs to Prof. Zackro, an apparently unmarried older fop with dandy Victorian facial hair. Zackro helps instill in Blake a fear of ever revealing his terrible "secret," and how the media attention it would cause would ruin his life.
Combining a belt with suspenders wouldn't be the choice of a queer eye, but his asymmetrical winged buckle was to die for! That belt sure doesn't get in the way of Blake's casually disrobing in front of Prof. Zackro, with whom he soon comes to live. Yep, just two straight guys, living together, teacher and student, sharing a "secret" they mustn't share, and all with no women in sight. Sure. Move over Northstar, because the granddaddy of metaGLBT wants to finally out himself, right?
Golden Age comics weren't nearly as sanitary as most folks seem to think, but writer/historians like Roy Thomas managed to regurgitate their tales through the filter of bland Silver Age Comics Code Approved drivel throughout the 70s and 80s, spoiling these greats for a generation or two.
While DC celebrated its 50th anniversary with character deaths and revision/deconstruction, sometimes documented in the front of Secret Origins, the back was devoted to dry recitation of yellowed tales about characters dismissed as too inherently dated to rate an update. Instead of the most dynamic and lush artists of the Golden Age drawing these heroes, Secret Origins had bottom feeders whose clinical, impersonal styles had fallen out of favor at DC after twenty years as an anchor around the company's neck.
For instance, there's Captain Comet, appearing in a tale by Thomas and Ron Harris with poorly meshing inks by the usually swell Bruce D. Patterson. Following a revised Doom Patrol origin by Paul Kupperberg and John Byrne in his prime, Comet couldn't have been more offputting and pedestrian.
The retelling opens in 1951, with a grim, more detailed description of the onslaught of the giant tops that were originally set-up at the end of Strange Adventures #9: "The Origin of Captain Comet!" (June 1951). Captain Comet then makes a more visually dramatic debut, crashing through a police barricade at super speed. At a sprawling Midwestern university, Professor Emery Zackro heard the news on the radio, and launched into a fairly faithful flashback to Comet's first story (which was told in chronological order.) Now, the first version was drawn by Carmine Infantino, and though not as expressive as he would be in later years on The Flash or Adam Strange in Mystery In Space, was still a beaut'. Harris' take could only have been more bland if he didn't have Patterson's embellishment, and his mustache on Zackro is so long and straight it breaks panel borders. Running the same number of pages as Comet's two-part debut, this version still seems drawn out and slow moving. There's greater detail being imparted, but it proves unnecessary baggage. Also, the gangster's bullet bounces off Adam Blake's brow instead of his chest, all the better to fit it in long, skinny panels. Though quite faithful to the original's plot, the storytelling here lacks the bounce.
Another important distinction is that the seeming subtext of Broome's seminal story is dialed down to a barely audible hum. Look at Broome's opening captions and Blake's emotionally troubled reaction to his mutation separating him from all of humanity. However evolved Blake may be, he's clearly lost something essential to modern man that plagues him. Whether he was gay, had a micropenis or hid a skirt under his spacesuit is unknown to me, but at least by 1951 standards, there has got to be something "wrong" with Blake for him to whine at a Stan Lee reading level. I lean toward closeted homosexuality, myself. For instance, Blake saves a hot blond from a dangerous fall with his telekinesis, and then proceeds to not score with the chick, who never appeared again. What red-blooded hetro would allow such a bird to escape? But no, Blake runs to Prof. Zackro, an apparently unmarried older fop with dandy Victorian facial hair. Zackro helps instill in Blake a fear of ever revealing his terrible "secret," and how the media attention it would cause would ruin his life.
Combining a belt with suspenders wouldn't be the choice of a queer eye, but his asymmetrical winged buckle was to die for! That belt sure doesn't get in the way of Blake's casually disrobing in front of Prof. Zackro, with whom he soon comes to live. Yep, just two straight guys, living together, teacher and student, sharing a "secret" they mustn't share, and all with no women in sight. Sure. Move over Northstar, because the granddaddy of metaGLBT wants to finally out himself, right?
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